MARCH 29
TAKE D MILK, NAH?
Jiv is “Canadian.” And “Indian.” And “Hindu.” And “West Indian.” “Trinidadian,” too. Or maybe he’s just colonized. He’s not the “white boy” he was teased as within his immigrant household. Especially since his Nova Scotian neighbours seemed to think he was Black. Except for the Black people—they were pretty sure he wasn’t. He’s not an Arab, and allegedly not a Muslim—at least that’s what he started claiming after 9/11. Whatever he is, the public education system was able to offer him the chance to learn about his culture from a coffee table book on “Eastern Mythology.” And then he had a religious epiphany while delivering a calf in Trinidad. By now, Jiv’s collected a lot of observations about trying to find your place in your world.
In this funny, fresh, and skeptical take on the identity play, Jivesh Parasram blends personal storytelling and ritual to offer the Hin-dos and Hin-don’ts within the intersections of all of his highly hyphenated cultures. This story asks the gut-punching questions: What divides us? Who is served by the constructs of cultural identity? And what are we willing to accept in the desire to belong? The show is a refreshingly candid and delightfully funny look at race, religion, and nationalism(s). Oh, and there’s a cow.
“Engaging. Powerful. Hilarious. Incisive... Parasram is a gifted and endlessly watchable performer.”
- NOW Magazine
SHOWTIMES
PAY-WHAT-YOU-CAN-AFFORD
We believe that theatre is for everyone, and try to offer affordable options to make sure there are no financial barriers in the way of anyone coming out to see a show.
If you are able to afford the full price, we encourage you to do so. If price is still a barrier, please reach out to Kat@EasternFrontTheatre.com
Volunteers see the show for free!
ACCESS NOTES
Running Time: 90 minutes, no intermission.
Audience Warning: Use of incense, heavy haze, and strobing lights. Some audience interaction, engages topics of racialization, includes (non graphic) descriptions of racial violence, narrative use of racial slurs, as well as descriptions of bovine birthing processes, British Colonialism, consumption of dairy, and liberal use of disputed quotes from Winston Churchill. And a lot of swears.
Audio: Performers will be amplified with individual microphones.
Accessible Ticket Pricing: This performance has pay-what-you-can-afford pricing. If cost is still a barrier, please email Kat@EasternFrontTheatre.com.
COVID: Masks are available on site and encouraged/appreciated but not required. Seating is by general admission and social distancing may not be possible.
Transit Access: The Halifax Transit Dartmouth Ferry arrives directly at Alderney Landing, and Alderney Gate is serviced by Halifax Transit buses #5, 6+, 53, 54, 55, 62, 158, 159, 161, 165.
Physical Access: The Theatre is on the second level of Alderney Landing, accessible by passenger elevator and stairs. Parking is available onsite, with curbside dropoff and automatic doors at the main entrance to the building. Alderney Landing is connected to Alderney Gate by pedway, accessible by elevator, escalator and stairs.
Stadium Seating: Fixed stadium seats fold down and are 16.5 inches deep and 20 inches wide from the inside of each (shared) armrest. Front row seating is on the same level as the entrance and can be reserved in advance by emailing info@EasternFrontTheatre.com. There are stairs leading to the rest of the rows, 7 inches high and 17 inches deep. There is no handrail. Armless chairs are available upon request and will be placed in the front row, they are 16 inches deep and 15.5 inches wide. For assistance, or to request priority seating before the house is opened, please check in with EFT Staff or Volunteers.
Bathrooms: There are two all gender bathrooms in the rotunda lobby, one with toilet stalls only, and one with toilet stalls and urinals. Both bathrooms are equipped with various hygiene products.
Environmental Sensitivities: We aim to provide a scent-free environment, and make every effort to use products that are scent-free where possible (including alcohol-based hand sanitizer). We encourage all patrons to be mindful of the effects of strong scents, and ask that patrons avoid wearing or using scented personal products while onsite. This performance include the use of incense.
If you have any questions about the accessibility measures in place for individual showings or workshops, please email Accessibility Coordinator, Sara at SGrahamAccessibility@gmail.com.
CREATIVE TEAM
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SUPPORTERS
