Explaining Mass for Shut-Outs Davis says, “I grew up Catholic, and I’m not anymore, and I realized that I kind of liked the framework of Catholic Mass, because it’s kind of theatrical, and there were some things about it that moved me, even as the content really bothered me. So, Mass For Shut-Outs is sort of my take on a communal experience that brings people together, that critiques the Catholic Church a little bit, and also asks questions about why we are drawn to religion

“I’m invested in the audience experience,” says McCormack about the festival as a whole, “and what kind of a leap [folks] are making as artists to tell a story in a new way. I’m really leaning into non-traditional work, and work that’s gently participatory, and work that is playful or challenging in some way- leaning beyond a traditional theatre piece. I’m really excited by things that are high tech or handmade, but lean into another genre. With Shortcuts, Manual, and Epiderm

“It doesn’t feel like theatre. If you’re thinking about what a play is, these shows don’t fit into that mould.” - Kat McCormack, EFT Artistic Director Thank you to Steve Gow at CityNews for the wonderful article about STAGES! Read the full story here!