Sure thing (The Coast)

Monday, 12 April, 2010

Lauchie, Liza & Rory 

Kate Watson, The Coast, Apr 12, 2010

It’s magical to watch actors Natasha MacLellan and Christian Murray transform themselves into the memorable charters who inhabit the 1940s Cape Breton mining town in Lauchie, Liza and Rory. MacLellan manages to morph from the story’s narrator, a spinster with a wry sense of humour and a wonderful grasp of what makes people tick, to the fresh-faced, optimistic and romantic Liza by merely doffing her glasses and changing her posture. Murray convincingly brings to life a set of identical twin brothers, one pokey and introverted, the other dashing and reckless, both of whom fall for Liza’s charms. As well, the two actors play several other roles including a tart-tongued matron who is delightfully represented by a portrait on a rolling stand. The story is sweet and Mairi Rankin’s fiddle music is evocative, but it is its creative staging that makes this little play truly shine. –Kate Watson (With matinees Saturdays and Sundays at 2pm.)

“Cure the Sunday blues”

Sunday, 11 April, 2010

After you’ve relaxed with the paper, pick up the pace at Bearly’s
JEREMY WEBB | OFF THE LEASH
Chronicle Herald, Sun. Apr 11, 2010

IN HALIFAX, Sunday is not a day of rest, not in the entertainment industry!

Today, after putting down your paper or switching off your computer, if you are reading this at thechronicleherald.ca, you can see plays and shows in many genres. With your permission, I would like to “unleash” a few upon you right now.

I joined theatre lovers this past week at The Bus Stop Theatre on Gottingen Street where Eastern Front Theatre is presenting Sheldon Currie’s sweet, tender and oh-so-gentle, comedic love-triangle play, Lauchie, Liza & Rory.

In fine form were performers Christian Murray and Natasha MacLellan, multi-role-playing for all they are worth. The delightful Mairi Rankin on fiddle added musical sugar, spice and more than a dash of poignancy.

You really should consider catching this play before it closes on April 18.

The Bus Stop Theatre has new management. The new head honcho of this gem of a venue, Clare Waque, has already been putting in long hours transforming the theatre into a destination you won’t regret. Support the arts and check it out this week.

Tonight you can follow in my footsteps — if you dare — and take in the Blues Jam Night at Bearly’s House of Blues & Ribs on Barrington Street. The bar does a great line in ribs and wings but hungry or not for meat, you can satisfy your craving for good music.

Under the leadership of Brad Conrad, a member of the incredibly popular Mellotones and a Juno and multiple ECMA winner, the band blew my little British socks off last Sunday with some old-school surf music and I vaguely recall the night winding up with a rendition of Ghost Riders in the Sky.

The boys in the house band can play anything with anyone and the calibre of “jammers” is worth a visit. The house band includes Conrad on guitar; Matt Hebb on guitar; Garry Potts on drums and Morrow Scot-Brown on bass.

Where else, but Bearly’s on a Sunday night, can you rock out to such a diverse sound and where else do you get to hear live surf music? I’m going again and taking my Hawaiian shirt collection.

Early last week, I joined every theatre professional in town at the Merritt Awards, the annual orgy of back-slapping, celebration and beverage consumption.

Alderney Landing Theatre was throbbing with happiness as artist after artist picked up the pewter awards and thanked everyone they could think of in a series of speeches.

I had the pleasure on getting up and handing the Best Actress award to Shelley Thompson, for Glorious, at Festival Antigonish. Bill Wood was a popular Best Supporting Actor winner for East Of Berlin. There wasn’t a dry eye when Jean Morpurgo rose to accept her Legacy Award. The after-parties continued long into the night. What a great week to be Off The Leash.

Jeremy Webb is an actor, director and member of the board of Theatre Nova Scotia. To invite Jeremy Webb to lose his leash at your party or event, drop him a line at offtheleash@herald.ca, and catch up with him at www.offtheleash.ca  f11_offtheleash_jwebb_IMG2_Provincial_04-11-10_RTEGNAV

“Lauchie, Liza & Rory magical”

Friday, 9 April, 2010
Play touches on all emotions
By ELISSA BARNARD Arts Reporter
Chronicle Herald, Fri. Apr 9, 2010

ted091609EsatFront3.jpgLauchie, Liza & Rory is a show everyone should see before they die.

It touches on all the bases of everyday life with humour, sorrow and ingenious, playful staging.

First created in 1997, this version of the internationally touring hit features Mairi Rankin’s keening fiddle, often as a lament. It’s a beautiful fit to the mood and traditional Cape Breton culture of the show.

Lauchie, Liza & Rory, set in 1940s Cape Breton and based on a Sheldon Currie short story, is about two identical twins who are miners and live in a company house with their very proper, widowed mother, who took up Scrabble in bitterness after her husband was killed in the mine, and their very practical sister Anne, who acts as a narrator.  (photo by Ted Pritchard)

When the daredevil Rory leaves on a bender and doesn’t come home for months, Anne chases the dull Lauchie out of the house to the bingo hall where he meets the lively and lovely Liza. They decide to get married just when Rory crashes back into their lives and into Liza’s heart.

Natasha MacLellan, in a role first created by Burgundy Code, has a wonderful fluidity and natural quality as an actor. She brings an honesty and depth to her multiple parts, from the giddy party girl Kitty to the light-hearted and sorrowful Liza.

Christian Murray, who has been in Lauchie, Liza & Rory since 2003, has carefully honed his two versions of the twins for convincing characters and rapid, near invisible changes.

The genius of Lauchie, Liza & Rory is the storytelling style first created by current director Mary-Colin Chisholm, with actors Burgundy Code and Mike Petersen, at Festival Antigonish.

The boys’ mother is a picture frame on a pole attached to a wheeled platform.

Murray and MacLellan switch as the pinched-up, rapid-talking face in the frame. Sometimes they are standing out of the frame as other characters and open and close their fist within the frame to mouth mother’s words.

Without giving it all away, there are many simple and inventive stage “tricks” like this that make the show so magical. The card game, where Murray plays both Rory and Lauchie and MacLellan rapidly raises and lowers her glasses and alters her face between Anne and Liza, is a virtuosic performance.

Still, for all its stage magic, it’s the heart of the story that stays with you and the music, first added for a Celtic Colours show, holds onto the heart.

Stephen Osler has designed a new set for easy touring of a woven backdrop of a house, like a kids’ paper weave, in nostalgic blues. It becomes a form both for the palette of Leigh Ann Vardy’s lights and for the imagination to add detail.

Eastern Front Theatre’s presentation of the award-winning Frankie Productions show at the Bus Stop Theatre, 2203 Gottingen St., is a chance to see this much-loved play before it goes next April to the National Arts Centre. It runs about 70 minutes without intermission to April 18, with weekend matinees at 2 p.m. and evening shows at 8 p.m.

Tickets are $30, $25 for seniors, DND and arts workers and $15 for students at 463-PLAY, online at easternfronttheatre.com or at the door one hour before showtime.

As Anne tells the audience about her sad tale, “You’ll laugh you head off because it didn’t happen to you.”

( ebarnard@herald.ca)

Lauchie, Liza & Rory

Tuesday, 23 March, 2010

Christian Murray and Natasha MacLellan in LLRHALIFAX, NS – Eastern Front Theatre’s 17th Season continues with the presentation of Frankie Productions’ Lauchie, Liza & Rory, adapted from his own short story by famed Cape Breton writer Sheldon Currie. The play previews April 6, opens April 7 and runs until April 18 at the Bus Stop Theatre.

“We are delighted to present one of Nova Scotia’s funniest and most beloved comedic plays of all time.” said Artistic Producer Scott Burke, “Lauchie, Liza & Rory has an excellent track record as a crowd pleaser that serves up a genuine slice of Cape Breton life. Wherever the show has been performed it tickles the funny bone and touches the heart.”

Lauchie, Liza & Rory premiered in 2003 at Mulgrave Road Theatre, toured Nova Scotia and enjoyed a brief run at Eastern Front’s SuperNova Theatre Festival. In 2004 the play was presented at the Magnetic North Theatre Festival in Edmonton and toured New Zealand in 2005. Lauchie, Liza & Rory received the 2004 Merritt Award for Best New Play. Frankie Productions’ current tour has taken them to Whitehorse, Edmonton, Toronto’s Summerworks Festival, and the Celtic Colours Festival.

The Story: Coal miner Lauchie Macdonald lives a humdrum existence but his world turns upside down when the vivacious Liza dances into his life. The awkward courtship is sealed with a big win at bingo, until Lauchie’s daredevil twin brother, Rory, bursts onto the scene. Two actors bring a whole town of characters to vivid life, and a real story begins… a wry spinster, sonorous priest, reformed party girl, and cantankerous Cape Breton matriarch, are all witnesses to a twenty-year interrupted love story.

Eastern Front Theatre’s presentation of Lauchie, Liza & Rory features the stellar acting talents of Christian Murray and Natasha MacLellan, a live musical score provided by fiddler Mairi Rankin, and is ingeniously directed by Mary-Colin Chisholm.

Christian Murray is an acclaimed actor, writer and director based in Halifax and a founding member of Jest in Time Theatre. Jest highlights include a Japanese tour, three national CBC specials and performances at the Sydney Opera House. He recently performed in Artistic Fraud’s production of AfterImage at Harbourfront Toronto’s World Stage Series. Christian has appeared numerous times on the Neptune stage and on stages throughout Canada. He received a Gemini Award for his writing on 22 Minutes, and in 2006 was short listed for the CBC Literary Awards for his short story Frost.

Natasha MacLellan works as an actor, writer, producer and director. In these capacities she has spent time with Mulgrave Road, Frankie Productions, Live Bait, Ship’s Company, OneLight and the Irondale Ensemble Project. She is a co-founder of Forerunner Playwrights Theatre and a long-time board member of Playwrights Atlantic Resource Centre. In 2007 she was named the protégé of Jenny Munday, recipient of the Mallory Gilbert award for demonstrated leadership in the theatre community. Natasha is currently the Artist in Residence at Mulgrave Road Theatre.

Fiddler Mairi Rankin has performed as a solo artist, a sideman, and is a member of the Cape Breton Celtic super group Beolach. She has performed with the Rankin Sisters, Unusual Suspects and Bruce Guthro and has appeared on the television broadcasts of DRUM!, the East Coast Music Awards, Rita MacNeil’s Christmas special and MNE’s Togaidh Sinn Fonn in Scotland. Her international festival credits include Celtic Connections, Chicago Celtic Festival, Milwaukee Irish Festival, BLAS, Tonder Festival. In Canada she has performed at all the major folk and Celtic festivals including Winnipeg, Calgary, Edmonton, and Dawson City Folk Festivals and the internationally renowned Celtic Colours Festival.

One of Nova Scotia’s finest theatre creators, Mary-Colin Chisholm recently appeared in Artistic Fraud’s AfterImage at Harbourfront Toronto’s World Stage Series. She also performed in Halifax Theatre for Young People’s inaugural production of The Gravesavers. He’d Be Your Mother’s Father’s Cousin was a major hit at Eastern Front Theatre’s 2009 SuperNova Theatre Festival. Mary-Colin has had continuing roles in the CBC television series Black Harbour, Pit Pony and Made in Canada. She is a co-founder of LunaSea Theatre and Frankie Productions.

Sheldon Currie was born in Reserve Mines, Cape Breton, and often draws from the mining experience in his writing. His novel, The Glace Bay Miners’ Museum, was adapted for film under the title Margaret’s Museum, which won international accolades, and was also the basis of a CBC radio and stage play by Wendy Lill. His book The Company Store has been adapted for stage, as well as Anna’s Story a chapter from his novel The Coal Town Road. After a short spell in the RCAF and several jobs, Sheldon attended the University College of Cape Breton and St. Francis Xavier University. He did post-graduate work at the University of New Brunswick and the University of Alabama before starting to teach in high schools, and subsequently at St. Francis Xavier University.

The Artistic Team for Lauchie, Liza & Rory consists of Set Designer Stephen Osler, Lighting Designer Leigh Ann Vardy, and Stage Manager Louisa Adamson.
Sponsored by O’Regan’s Automotive Group, Lauchie, Liza & Rory runs April 6 to18 at the Bus Stop Theatre, 2203 Gottingen Street. Evening performances begin at 8:00 p.m. and matinee performances begin at 2:00 p.m. Tickets are available now by calling 463-PLAY, or online at www.easternfronttheatre.com or at the door one hour before show time.
Eastern Front Theatre, now in its 17th Season, explores and celebrates the Atlantic Canadian experience through the development, production and promotion of Atlantic Canadian theatre artists. Eastern Front produces two Mainstage plays, the SuperNova Theatre Festival, administers the Ten Minute Play Contest for Nova Scotia High School students and holds three fundraising events annually.

Eastern Front Theatre is generously funded by the Canada Council for the Arts, Province of Nova Scotia Department of Tourism, Culture and Heritage, Department of Canadian Heritage, and Halifax Regional Municipality. O’Regan’s Automotive Group is the 2009-2010 Season Sponsor.

Reach for the Tap

Friday, 12 February, 2010

trophyTickets are starting to sell quickly for the third Reach for the Tap Trivia Fund Raiser.  Get yours today and vie for the illustrious trophy!  Friday, March 26, 7pm at the Halifax Club.

Buy Now!

More raves

Sunday, 20 December, 2009

Extinction Song is hilarious and frightening

The dysfunctional family never had it so good.

By Kate Watson

The Coast, Wed, Nov 18, 2009

Plays like Eastern Front’s Extinction Song make it very difficult to write without cliches. Phrases like “tour de force” and “an emotional rollercoaster” jump immediately to mind. But this play deserves much better than that.

Its writer, Ron Jenkins, never resorts to cliche, despite writing about the oft-explored dysfunctional family. This is James’ story, son of an alcoholic father and a mother who fails to protect him. James is both unlike any seven-year-old you know (articulate, precocious and disturbingly disturbed), and a lot like every child (curious, infuriating, imaginative, self-absorbed…). Actor Ron Pederson is utterly convincing as a child, so much so that it’s easy to forget he is a man in boys’ pajamas. As James tells his story, he acts out things that have happened to him, adopting the voice and mannerisms of the adults in his life. It’s both hilarious and frightening, words that pretty much sum up Extinction Song.ES Coast

Rave Review for Extinction Song

Sunday, 20 December, 2009

Extinction Song vividly evokes child’s world
Pederson ‘totally inhabits’ character of a seven-year-old
By ELISSA BARNARD Arts Reporter
The Herald, Thu. Nov 19

Playwright Ron Jenkins immerses you so deeply in the world of a seven-year-old boy that you experience adults the way he does — as hostile aliens.

Extinction Song, an award-winning hit in Edmonton last spring, is a riveting, rollicking story and a lament for the lost imaginary world of a boy who is forced to grow up and accept the real world.

With Extinction Song, Eastern Front Theatre brings Edmonton playwright and Cape Breton native Ron Jenkins’ work to his home province for the first time.

James, as incarnated for 90 minutes in an amazing performance by Toronto actor Ron Pederson, is a vivid, hyperbolic and very physical storyteller.

He believes his real parents died when their truck plunged through the ice and he was raised by the wolves who rescued him, including the beloved alpha wolf, Byzantine.

The magic of storytelling, staging and Pederson’s performance make Byzantine real. James’s quest to not be “extincted” by his parents and teachers is a serious one, and you cheer on for James and the wolves.

The play, which runs without intermission, starts off light and fervently boyish, then gets darker and darker.

The mid-section wobbles a bit where it’s unclear where the story is going and why the boy is so angry at his father, a Mountie, who turns out to be an alcoholic and a time bomb.

Pederson easily and convincingly slips into the father to portray a familiar type, a traditionally authoritarian male, who is sloppy and slobby but not uncaring.

His drinking makes him more neglectful than direly abusive.

Whether or not you forgive him is up to you.

Jenkins writes with a great deal of humour and accuracy to the age of seven and the time period of the early 1970s.

James, who loves language and precise description, peppers his talk with 1970s references like Kreskin, Detective Columbo and Evel Knievel.

This year Eastern Front Theatre has left the large Alderney Landing Theatre in Dartmouth for smaller Halifax venues and opens its 17th season in the Art Gallery of Nova Scotia’s Windsor Foundation Theatre.

While this theatre has some challenges like visible bars on the exit door and lights set into the ceiling, it is very intimate and suits a one-person show.

You can’t be detached.

The design is a potent mix of light (Bruce MacLennan), sound (Dave Clarke), costumes, props and projections (Narda McCarroll) and set (D’Arcy Morris-Poultney).

Morris-Poultney has created the quintessential boy’s bedroom in blue.

Real birch trees are set into the winter woods scenes painted on the walls leading to the stage.

When James enters the world of the wolves, projections turn his everyday Manitoba bedroom into exotic, winter woods and Byzantine’s eyes glow yellow.

It’s possible that Ron Pederson could carry this play alone on a bare stage.

He totally inhabits the character in a highly physical, intense and unflagging performance. A lot of the comedy lies in the actor and character’s mimicry of voices and other sound effects in his rapid-fire, excited storytelling.

Standing Ovation for Extinction Song

Monday, 16 November, 2009

Ron Pederson - Extinction Song (3)Extinction Song previewed to a standing ovation on Sunday November 15th and we can’t wait for opening night on Tuesday the 17th.  Opening night is sold out but there are still tickets available for most shows in the run.  The run is shorter than past productions and seating at the Art Gallery of Nova Scotia is limited, so we hope you’ll book your tickets early.

See the Chronicle Herald preview at http://thechronicleherald.ca/ArtsLife/1152625.html

Eastern Front Theatre kicks off its 17th Season with the Atlantic Canadian Premiere of Extinction Song, written and directed by Ron Jenkins.  Winner of two Edmonton Sterling Awards for Outstanding New Play and Outstanding Production, the play features a tour-de-force, Sterling Award nominated performance by Edmonton actor Ron Pederson.

SuperNova Programming Underway

Monday, 16 November, 2009

Over fifty submissions were received as of the November 1st deadline for Eastern Front’s signature SuperNova Theatre Festival.  Artistic Producer Scott Burke is sifting through the applications and considering shows seen during a year of travels to other festivals in order to bring Halifax an exceptional line-up of innovative contemporary theatre. 

We’ve previously announced that Charles Ross will be bringing his One Man Lord of the Rings show to SuperNova 2010.  Fans of last year’s One Man Star Wars Trilogy won’t want to miss this equally thrilling show.

Stay tuned for more SuperNova programming announcements in the new year!

New Reach for the Tap Champions

Saturday, 7 November, 2009

After a fun night of trivia, beer and socializing, a new team has been named champion of Reach for the Tap!  Last April’s inaugural event was won by “The Parking Spots” who were unable to return this time to defend their title.  However, after much competition and lots of laughter, the November winner was “The Delinquents”.  Congrats!  The fundraiser, held Friday November 6th at the Halifax Club was a great success and we thank everyone who came out and made it such a great night.  Special kudos to Cheryl Simon, Quiz Master and the Eastern Front Board of Directors for all of their efforts.   Many thanks to Garrison Brewery for their support of the event.  Get ready to take on “The Delinquents” on Friday March 26, 2010 to claim the illustrious trophy as your own! trophy